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To us in 2022, it looking at it in the contexts of both the greater Star Trek franchise and TV animation in general (so much of which has been made since then, with so many leaps in all sorts of ways), it seems absolutely impoverished, but as I understand it it was actually one of the most expensive animated American TV series up to that point, if not the most expensive, largely because of its substantial regular voice cast of actors reprising their roles from the original live-action show, which was pretty unusual then. Given all that, it’s not just remarkable but borderline amazing that Star Trek TAS is as good as it is. It just wasn’t taken seriously at all for the most part, and resources were allocated accordingly. Limited animation was the order of the day this was long before advancements and refinements in both technology and technique came that let today’s TV animation shine like it does, and little was typically expected of the storytelling as well, and frequently little delivered. I think in this era it’s often hard to keep in mind just what American animated TV series in that era were like. I admire what it was able to accomplish within the tight constraints of early ‘70s animation for American television. I adore TAS, undeniable limitations and all. TrekMovie reached out to Justin Lee to get more information about this unique homage to The Animated Series which ran from 1973-1974.
It’s the little details they included that really make this feel like an artifact from a bygone era: there’s simulated bits of dirt between the different animation cel layers, and the occasional wobble of film gate weave. They also include a Kzinti (which originated in TAS) at the conn. They nail the simple animation style, the recycled generic sound effects, and the use of blocks of purple color. The 2 minute clip is a reimagining of the kidnapping of Captain Picard from “Best of Both Worlds” as if it were done by Filmation in the 1970s (the animation firm that produced Star Trek: The Animated Series). They work with Gerry Anderson’s Thunderbirds, ITV, BBC, CBC, and others.
Founded by Justin and Lindsay Lee and based in Toronto, Canada, Gazelle Automations has the goal of creating entertainment with the magic of puppetry, model miniatures and animation. A new video has gotten a lot of attention from Gazelle Automations.
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